Tidal artist list8/15/2023 ![]() “Madonna and Jay Z are doing just fine without their small cut of our $9.99 iTunes charge,” is the attitude.Ĭan we trust music’s 1% to solve a problem that exists for music’s 99%? Royalty rates have yet to be discussed, but based on the bands who’ve received an invite to the Tidal country club so far, it’s clear that Tidal’s owners know that a streaming service with a Pono-esque play at lossless audio cannot survive with chart-toppers alone.Indie labels, or at least the big ones, are represented in the library so far. It’s Tidal’s A-list co-owners that no one thinks about. People who love music still feel like this, I think - the idea of support remains a concern, at least for small to midlevel acts. Everything you’ve ever wanted to hear is free, legal, and easy to find! But outside of the listening binge, there is a moral concern for how musicians can survive. As a music consumer, these streaming wars are sort of great. It is exactly these types of musicians - the producers and songwriters - that I wondered about when Keys started tossing around talk of music saving the world. “And yet, that yielded only $12,359 in Pandora domestic royalties - which were then split among three songwriters and our publisher.” “Avicii’s release ‘Wake Me Up!’, that I co-wrote and sing … was the most streamed song in Spotify history and the 13th most played song on Pandora since its release in 2013, with more than 168 million streams in the US,” Blacc wrote. Songwriters and producers are in an even worse spot, as Aloe Blacc noted in a Wired op-ed last year. With increasing frequency, artists including Taylor Swift, The Black Keys, and Eric Church have taken their music off Spotify and other streaming services, due to the low royalty rates they receive. The idea of a luxury brand an artist-owned streaming music service is not a bad idea. (So far, the Tidal “exclusives” consist of Daft Punk’s 2006 film Electroma, Kanye’s previously released “Only One” video, Alicia Keys concert footage, and curated playlists from Bey, Deadmau5, and more.) The word “EXCLUSIVE” was practically beamed into our brains. They just let all the shiny famous people be shiny and famous on a stage together for likely the first and last time ever. ![]() No one talked about payment plans, let alone payout plans. Cole, Jay Z, Kanye West, Deadmau5, Madonna, Nicki Minaj, Rihanna, Usher, plus Calvin Harris and Chris Martin (who Skyped in) - each sign a declaration of independence while Radiohead’s “National Anthem” played.ĭespite this whole thing being Jay Z’s idea, Keys gave an awkward speech about the main goal of Tidal being to “preserve music’s importance in our lives.” She quoted Nietzsche and Jimi Hendrix. We watched Tidal co-owners - Alicia Keys, Arcade Fire’s Win Butler and Regine Chassagne, Beyoncé, Daft Punk, Jack White, Jason Aldean, J. “What is this thing?” viewers were left wondering - and rightfully so. Already the relaunched Tidal has been met with skepticism, not least because yesterday’s event was a little bit of mess. Instead of making something from scratch, Jay Z purchased - for $56 million - a publicly traded Swedish tech company called Aspiro, which operated the modest Tidal service until recently. And as of yesterday, it’s the superstars at the highest echelons of that list - your Beyoncés, your Coldplays, your Kanyes - who want to save the music industry for everyone. On a panel about the future of music’s celebrity economy, alongside Win and Will Butler of Arcade Fire, Krugman noted that the bulk of music industry revenue is increasingly going to the kinds of artists who can fill arenas. Yesterday, during the star-studded press conference announcing the relaunch of music streaming service Tidal, I was reminded of a figure cited by world-renowned economist Paul Krugman less than two weeks ago.
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